Left: Untitled (05330), 1954–1960. Right: Untitled (00656-MA.Ke.105), 1953–1957. Both works by Seydou Keïta. © Seydou Keïta / SKPEAC. Courtesy of CAAC- The Pigozzi Collection et Galerie Nathalie Obadia, Paris and Brussels.
Left: Untitled (05330), 1954–1960. Right: Untitled (00656-MA.Ke.105), 1953–1957. Both works by Seydou Keïta. © Seydou Keïta / SKPEAC. Courtesy of CAAC- The Pigozzi Collection et Galerie Nathalie Obadia, Paris and Brussels.
Sherrie Levine, Repetition and Difference, 2002. © Sherrie Levine. Courtesy of the artist and David Zwirner.
Sherrie Levine, Repetition and Difference, 2002. © Sherrie Levine. Courtesy of the artist and David Zwirner.
Dora García, L'insecte 11, from 'Mad Marginal Charts' series, 2023. Courtesy of the artist and Michel Rein, Paris and Brussels.
Dora García, L'insecte 11, from 'Mad Marginal Charts' series, 2023. Courtesy of the artist and Michel Rein, Paris and Brussels.
Left: Jan van Scorel, Two figures in grisaille, 16th century. Courtesy of Galerie Jocelyn Wolff. Photo by Fabrice Gousset. Right: Miriam Cahn, grisaille 11.6.07, 2007. Courtesy of the artist, Meyer Riegger, and Galerie Jocelyn Wolff.
Left: Jan van Scorel, Two figures in grisaille, 16th century. Courtesy of Galerie Jocelyn Wolff. Photo by Fabrice Gousset. Right: Miriam Cahn, grisaille 11.6.07, 2007. Courtesy of the artist, Meyer Riegger, and Galerie Jocelyn Wolff.
Artwork by Trisha Donnelly.
Artwork by Trisha Donnelly.
Installation view of Zohra Opoku’s exhibition ‘I Have Arisen…Part 2’, 2023. Photograph by Aurélien Mole. Courtesy of Mariane Ibrahim.
Installation view of Zohra Opoku’s exhibition ‘I Have Arisen…Part 2’, 2023. Photograph by Aurélien Mole. Courtesy of Mariane Ibrahim.
Installation view of Salvo’s exhibition at Perrotin, Matignon 8, 2023. Photograph by Nicolas Brasseur. Courtesy of the artist and Perrotin.
Installation view of Salvo’s exhibition at Perrotin, Matignon 8, 2023. Photograph by Nicolas Brasseur. Courtesy of the artist and Perrotin.

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