Left: Michel Majerus, Progressive Aesthetics, 1997. Private collection. © Michel Majerus Estate, 2022. Courtesy neugerriemschneider, Berlin. Photo by Jens Ziehe. Right: Nina Chanel Abney, BBE, 2022.
Left: Michel Majerus, Progressive Aesthetics, 1997. Private collection. © Michel Majerus Estate, 2022. Courtesy neugerriemschneider, Berlin. Photo by Jens Ziehe. Right: Nina Chanel Abney, BBE, 2022.
View of The Bass and Silvia Fleury, Eternity Now, 2015, from Collins Park. Photo by Zachary Balber. Courtesy of The Bass.
View of The Bass and Silvia Fleury, Eternity Now, 2015, from Collins Park. Photo by Zachary Balber. Courtesy of The Bass.
Leandro Erlich, Hair Salon, 2006-2017. Installation view in 'Seeing and Believing', Mori Art Museum, Tokyo, Japan, 2017. Courtesy of Mori Art Museum. Photo by Hasegawa Kenta.
Leandro Erlich, Hair Salon, 2006-2017. Installation view in 'Seeing and Believing', Mori Art Museum, Tokyo, Japan, 2017. Courtesy of Mori Art Museum. Photo by Hasegawa Kenta.
Left: Peter Buggenhout, I am the tablet #4, 2020. Courtesy of Konrad Fisher Galerie, Dusseldorf. Right: Marco Bagnoli, Dove Porta, 2021. Courtesy of Galleria Christian Stein, Milan. Both images: Collection Martin Z. Margulies.
Left: Peter Buggenhout, I am the tablet #4, 2020. Courtesy of Konrad Fisher Galerie, Dusseldorf. Right: Marco Bagnoli, Dove Porta, 2021. Courtesy of Galleria Christian Stein, Milan. Both images: Collection Martin Z. Margulies.
Installation view of 'Together, at the Same Time', 2022-2023, featuring work by Glenn Ligon and Felix Gonzalez-Torres. Courtesy of the de la Cruz Collection.
Installation view of 'Together, at the Same Time', 2022-2023, featuring work by Glenn Ligon and Felix Gonzalez-Torres. Courtesy of the de la Cruz Collection.
Installation view of Ronny Quevedo's exhibition 'offside', University Art Museum, University at Albany, 2022. Courtesy of the University Art Museum, University at Albany.
Installation view of Ronny Quevedo's exhibition 'offside', University Art Museum, University at Albany, 2022. Courtesy of the University Art Museum, University at Albany.
Left: Leah Gordon, Lyon (Lion), 2009. Right: Leah Gordon, Gason Bó Lanmé-a (Boy by the Sea), 2000. Both images courtesy of the artist and MOCA North Miami.
Left: Leah Gordon, Lyon (Lion), 2009. Right: Leah Gordon, Gason Bó Lanmé-a (Boy by the Sea), 2000. Both images courtesy of the artist and MOCA North Miami.
Herbert Bayer, Electronics—A New Science for a New World, 1942, brochure.The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection.
Herbert Bayer, Electronics—A New Science for a New World, 1942, brochure.The Wolfsonian–Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr. Collection.

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