Installation view of 'House in Motion', de la Cruz Collection, 2023–24. Pictured, from left to right: Wade Guyton, Untitled, 2012. Vaughn Spann, Shadow in the Night (Blue Train), 2022; A House on Fire (Marked Man), 2023; and A Love like Dawn, 2022. Felix Gonzalez-Torres, Untitled (America #3), 1992. Courtesy of the de la Cruz Collection.
Installation view of 'House in Motion', de la Cruz Collection, 2023–24. Pictured, from left to right: Wade Guyton, Untitled, 2012. Vaughn Spann, Shadow in the Night (Blue Train), 2022; A House on Fire (Marked Man), 2023; and A Love like Dawn, 2022. Felix Gonzalez-Torres, Untitled (America #3), 1992. Courtesy of the de la Cruz Collection.
Installation view of Igshaan Adams, Akbar, 2017, in ‘To Weave the Sky: Textile Abstractions in the Jorge M. Pérez Collection’. Courtesy of El Espacio 23.
Installation view of Igshaan Adams, Akbar, 2017, in ‘To Weave the Sky: Textile Abstractions in the Jorge M. Pérez Collection’. Courtesy of El Espacio 23.
Installation and detail view of Tania Candiani, Waterbirds: Migratory Sound Flow, 2022, in the 23rd Sydney Biennale, 2022. Courtesy of the artist.
Installation and detail view of Tania Candiani, Waterbirds: Migratory Sound Flow, 2022, in the 23rd Sydney Biennale, 2022. Courtesy of the artist.
Gauche : Portrait de Joey Holder. Photographie de Jack de Aguilar. Droite : Joey Holder, Radiozoa, 2023. Avec l’aimable autorisation de Seventeen.
Gauche : Portrait de Joey Holder. Photographie de Jack de Aguilar. Droite : Joey Holder, Radiozoa, 2023. Avec l’aimable autorisation de Seventeen.
Installation view of José Delgado Zuñiga’s exhibition ‘Cusp’, Marquez Art Projects, 2023. Courtesy of Marquez Art Projects.
Installation view of José Delgado Zuñiga’s exhibition ‘Cusp’, Marquez Art Projects, 2023. Courtesy of Marquez Art Projects.

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