Left: Riddikuluz, The Girl, 2021. Courtesy of the artist. Right: Léa Djeziri, extract of book ‘SHIFT, Ici et maintenant’, 2019. Courtesy of the artist.
Left: Riddikuluz, The Girl, 2021. Courtesy of the artist. Right: Léa Djeziri, extract of book ‘SHIFT, Ici et maintenant’, 2019. Courtesy of the artist.
Fadi Elias, N˚5, series ‘520’, 2020-2022. Courtesy of the artist.
Fadi Elias, N˚5, series ‘520’, 2020-2022. Courtesy of the artist.
Mohamad Abdouni, Photograph of Em Abed during a masquerade at the Saframarine, Kesrouane, Lebanon, 1995. Collection Cold Cuts, courtesy of the Fondation arabe de l'image, Beyrouth.
Mohamad Abdouni, Photograph of Em Abed during a masquerade at the Saframarine, Kesrouane, Lebanon, 1995. Collection Cold Cuts, courtesy of the Fondation arabe de l'image, Beyrouth.
Soufiane Ababri, Bed Work, 2022. Photograph by Philippe Fuzeau. Courtesy of the artist and Praz-Delavallade Paris, Los Angeles.
Soufiane Ababri, Bed Work, 2022. Photograph by Philippe Fuzeau. Courtesy of the artist and Praz-Delavallade Paris, Los Angeles.
Left: Rirkrit Tiravanija. Photo by Pauline Assathinay. Right: 2022 Okayama Art Summit key visual.
Left: Rirkrit Tiravanija. Photo by Pauline Assathinay. Right: 2022 Okayama Art Summit key visual.
Left: Chaza Charafeddine, L'Ange Gardien I, ‘Divine comedy’ series, 2010. Courtesy of the artist. Right: L’Ange Gardien II, ‘Divine comedy’ series, 2010. Courtesy of the artist.
Left: Chaza Charafeddine, L'Ange Gardien I, ‘Divine comedy’ series, 2010. Courtesy of the artist. Right: L’Ange Gardien II, ‘Divine comedy’ series, 2010. Courtesy of the artist.
Left: Alireza Shojaian, The Mirror. Collection of Ramzi Abufaraj and Keith Nuss. Courtesy of the artist. Right: Camille Lenain, Lalla Rami, Boulogne, 2020. Courtesy of the artist.
Left: Alireza Shojaian, The Mirror. Collection of Ramzi Abufaraj and Keith Nuss. Courtesy of the artist. Right: Camille Lenain, Lalla Rami, Boulogne, 2020. Courtesy of the artist.
Aïcha Snoussi, Sépulture aux noyé∙e∙s, 2021. Photograph by Marc Domage. Courtesy of the artist and La La Land gallery.
Aïcha Snoussi, Sépulture aux noyé∙e∙s, 2021. Photograph by Marc Domage. Courtesy of the artist and La La Land gallery.
Aïcha Snoussi, Self-portrait, 2021. Jean-Marc Decrop collection.
Aïcha Snoussi, Self-portrait, 2021. Jean-Marc Decrop collection.

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