Left: Daisuke Fukunaga, Like a floating, 2023. Courtesy of the artist and High Art, Paris and Arles. Right: Zenzaburo Kojima, 少女座像 (Seated Girl), 1925. Courtesy of the artist and High Art, Paris and Arles.
Left: Daisuke Fukunaga, Like a floating, 2023. Courtesy of the artist and High Art, Paris and Arles. Right: Zenzaburo Kojima, 少女座像 (Seated Girl), 1925. Courtesy of the artist and High Art, Paris and Arles.
Left: Anita Steckel, Feminist Party poster, 1971. © The Estate of Anita Steckel. Courtesy of the Estate of Anita Steckel; Ortuzar Projects, New York; Hannah Hoffman Gallery, Los Angeles. Photograph by Dario Lasagni. Right: Ad Minoliti, Tres Brujas, 2020. Courtesy of the artist and Crèvecœur, Paris and MEYER*KAINER, Vienna.
Left: Anita Steckel, Feminist Party poster, 1971. © The Estate of Anita Steckel. Courtesy of the Estate of Anita Steckel; Ortuzar Projects, New York; Hannah Hoffman Gallery, Los Angeles. Photograph by Dario Lasagni. Right: Ad Minoliti, Tres Brujas, 2020. Courtesy of the artist and Crèvecœur, Paris and MEYER*KAINER, Vienna.
Left: Yannis Tsarouchis, To Telion, 1967 © Yannis Tsarouchis Foundation, courtesy of Blum & Poe, the Irene Panagopoulos Collection, Athens, and Kalfayan Galleries. Right: Joan Brown, Woman and Sphinx #1, 1977 © Joan Brown Estate, courtesy of the Estate, Blum & Poe, and Matthew Marks Gallery.
Left: Yannis Tsarouchis, To Telion, 1967 © Yannis Tsarouchis Foundation, courtesy of Blum & Poe, the Irene Panagopoulos Collection, Athens, and Kalfayan Galleries. Right: Joan Brown, Woman and Sphinx #1, 1977 © Joan Brown Estate, courtesy of the Estate, Blum & Poe, and Matthew Marks Gallery.
Lily van der Stokker, I Fake Nothing, 2018 (after a drawing from 1991). Photograph by Marc Domage. Courtesy of the artist and Air de Paris, Romainville.
Lily van der Stokker, I Fake Nothing, 2018 (after a drawing from 1991). Photograph by Marc Domage. Courtesy of the artist and Air de Paris, Romainville.
Raphaela Vogel, Die Geometrie des Geschehens, 2023. Courtesy of the artist and BQ, Berlin.
Raphaela Vogel, Die Geometrie des Geschehens, 2023. Courtesy of the artist and BQ, Berlin.
Etel Adnan, Apocalypse arabe 1, 1980s. Courtesy the estate of the artist and Galerie Lelong & Co. © The Estate of Etel Adnan / VG Bild-Kunst, Bonn, 2023.
Etel Adnan, Apocalypse arabe 1, 1980s. Courtesy the estate of the artist and Galerie Lelong & Co. © The Estate of Etel Adnan / VG Bild-Kunst, Bonn, 2023.
Left: Atong Atem, Adut and Bigoa, The Studio Series, 2015. © Atong Atem. Courtesy of MARS Gallery and Atong Atem. Right: Ruth Ossai, Student nurses Alfrah, Adabesi, Odah, Uzoma, Abor and Aniagolum. Onitsha, Anambra state, Nigeria, 2018. © Ruth Ginika Ossai
Left: Atong Atem, Adut and Bigoa, The Studio Series, 2015. © Atong Atem. Courtesy of MARS Gallery and Atong Atem. Right: Ruth Ossai, Student nurses Alfrah, Adabesi, Odah, Uzoma, Abor and Aniagolum. Onitsha, Anambra state, Nigeria, 2018. © Ruth Ginika Ossai
Installation view Diane Arbus’ exhibition, Constellation, The Tower, Main Gallery, LUMA Arles, France. All artworks © The Estate of Diane Arbus Collection Maja Hoffmann / LUMA Foundation. Photo © Adrian Deweerdt
Installation view Diane Arbus’ exhibition, Constellation, The Tower, Main Gallery, LUMA Arles, France. All artworks © The Estate of Diane Arbus Collection Maja Hoffmann / LUMA Foundation. Photo © Adrian Deweerdt

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