Courtesy of Patricia Marshall.
Courtesy of Patricia Marshall.
Installation view of the exhibition "Al filo de la navaja" - Colección Jumex Museo Jumex, Mexico City ,2020-2021. Courtesy of the Museo Jumex. Photograph by Francisco Kochen. Works on view : Paul McCarthy, Propo-Miracle Whip, 1992 / Propo-Daddies Ketchup, 1992. Courtesy of the artist and Hauser & Wirth. Isa Genzken : Schauspieler II, 1, 2014. Courtesy of the artist and Galerie Buchholz. © Isa Genzken / VG-Bild Kunst / SOMAAP/ México / 2020. John Baldessari, Hanging Man, 1988. Courtesy of The Estate of John Baldessari.
Installation view of the exhibition "Al filo de la navaja" - Colección Jumex Museo Jumex, Mexico City ,2020-2021. Courtesy of the Museo Jumex. Photograph by Francisco Kochen. Works on view : Paul McCarthy, Propo-Miracle Whip, 1992 / Propo-Daddies Ketchup, 1992. Courtesy of the artist and Hauser & Wirth. Isa Genzken : Schauspieler II, 1, 2014. Courtesy of the artist and Galerie Buchholz. © Isa Genzken / VG-Bild Kunst / SOMAAP/ México / 2020. John Baldessari, Hanging Man, 1988. Courtesy of The Estate of John Baldessari.
Patricia Marshall's art collection. Works on view : Mike Kelley, St. Anne, 2005. © Estate of Mike Kelley and Gagosian. Paul McCarthy: International [White Snow]c 2009 and Seduction [White Snow], 2009 and House [White Snow], 2009. Courtesy of the artist and Hauser & Wirth. John Giorno, I don’t need it I don’t wan’t it and you cheated me out of it, 1989. © Estate of John Giorno. Max Ernst, Janus, 1973-1975. Michel François, Untitled, 2006. Courtesy of the artist and carlier gebauer.
Patricia Marshall's art collection. Works on view : Mike Kelley, St. Anne, 2005. © Estate of Mike Kelley and Gagosian. Paul McCarthy: International [White Snow]c 2009 and Seduction [White Snow], 2009 and House [White Snow], 2009. Courtesy of the artist and Hauser & Wirth. John Giorno, I don’t need it I don’t wan’t it and you cheated me out of it, 1989. © Estate of John Giorno. Max Ernst, Janus, 1973-1975. Michel François, Untitled, 2006. Courtesy of the artist and carlier gebauer.
Patricia Marshall's art collection. Works on view : Franz West, Teutonia, 2007. © Estate Franz West and Gagosian. Joseph Kosuth, Wittgenstein, no title, 1989 (The Question is : How do we compare images). Courtesy of the artist. Imi Knoebel, Bild 16.05.2017. Courtesy of the artist and Thaddaeus Ropac.
Patricia Marshall's art collection. Works on view : Franz West, Teutonia, 2007. © Estate Franz West and Gagosian. Joseph Kosuth, Wittgenstein, no title, 1989 (The Question is : How do we compare images). Courtesy of the artist. Imi Knoebel, Bild 16.05.2017. Courtesy of the artist and Thaddaeus Ropac.
Patricia Marshall's art collection. Works on view : Mircea Cantor, Cielo Variabile, 2013. Courtesy of the artist and Magazzino. On Kawara, May, 26, 1994, 1994. © The Estate of On Kawara. Mike Kelley, City 19, 2010. © Estate of Mike Kelley and Gagosian. Yngve Holen, Evil Eye, 2016. Courtesy of the artist and Modern Art.
Patricia Marshall's art collection. Works on view : Mircea Cantor, Cielo Variabile, 2013. Courtesy of the artist and Magazzino. On Kawara, May, 26, 1994, 1994. © The Estate of On Kawara. Mike Kelley, City 19, 2010. © Estate of Mike Kelley and Gagosian. Yngve Holen, Evil Eye, 2016. Courtesy of the artist and Modern Art.
Views of the exhibition "All important ideas must include the trees, the mountains, and the river No Name". Paris, 2023. Image courtesy of No Name, Paris. Photograph by Thomas Lannes. Works on view: Left: Eva Koťátková, Training In Ambidexterity, 2015. Courtesy of the artist and Meyer Riegger. Thea Djordjadze, Untitled, 2012/2021. Courtesy of the artist and Sprüth Magers. Right : Dario Escobar, Encrypted Messages N°20, 2022. Courtesy of the artist. Alejandra Laviada Self Portrait #1, 2022. Courtesy of the artist and Bendana-Pinel Art Contemporain. Héctor Zamora, Bluesy, 2022. Courtesy of the artist and LABOR.
Views of the exhibition "All important ideas must include the trees, the mountains, and the river No Name". Paris, 2023. Image courtesy of No Name, Paris. Photograph by Thomas Lannes. Works on view: Left: Eva Koťátková, Training In Ambidexterity, 2015. Courtesy of the artist and Meyer Riegger. Thea Djordjadze, Untitled, 2012/2021. Courtesy of the artist and Sprüth Magers. Right : Dario Escobar, Encrypted Messages N°20, 2022. Courtesy of the artist. Alejandra Laviada Self Portrait #1, 2022. Courtesy of the artist and Bendana-Pinel Art Contemporain. Héctor Zamora, Bluesy, 2022. Courtesy of the artist and LABOR.
Jumex factory, Monterrey (Mexico). Image courtesy of the Museo Jumex, Mexico City. Work by Dario Escobar, Sans titre, 2023. Courtesy of the artist.
Jumex factory, Monterrey (Mexico). Image courtesy of the Museo Jumex, Mexico City. Work by Dario Escobar, Sans titre, 2023. Courtesy of the artist.

DISCOVER MORE RELATED CONTENT BELOW: