Lee Kai Chung, Tree of Malevolence (film still), 2024. Sextuple-channel video installation, digitised Super 8 films, 4:3, colour, Cantonese dialogue, Chinese and English subtitle, multiple-channel audio.
Lee Kai Chung, Tree of Malevolence (film still), 2024. Sextuple-channel video installation, digitised Super 8 films, 4:3, colour, Cantonese dialogue, Chinese and English subtitle, multiple-channel audio.
Wang Tuo, Distorting Words (film still), 2019. 4K three-channel video, 24’38”, Edition of 6 + 2AP. Courtesy of artist and Blindspot Gallery.
Wang Tuo, Distorting Words (film still), 2019. 4K three-channel video, 24’38”, Edition of 6 + 2AP. Courtesy of artist and Blindspot Gallery.
Installation view of Steph Huang's  "A Great Increase In Business Is On Its Way" at Taipei Fine Arts Museum, 2022. Courtesy of the artist and Public Gallery.
Installation view of Steph Huang's "A Great Increase In Business Is On Its Way" at Taipei Fine Arts Museum, 2022. Courtesy of the artist and Public Gallery.
Thao Nguyen Phan, Reincarnations of Shadows (video still). Commissioned by Pirelli HangarBicocca and co-produced by Fondazione in Between Art Film. Courtesy of the artist.
Thao Nguyen Phan, Reincarnations of Shadows (video still). Commissioned by Pirelli HangarBicocca and co-produced by Fondazione in Between Art Film. Courtesy of the artist.
Left: Godfried Donkor, St D. K. Poison, 2023. Courtesy of the artist and Gallery 1957. Right: Godfried Donkor, St Roy Ankrah III, 2023. Courtesy of the artist and Gallery 195.
Left: Godfried Donkor, St D. K. Poison, 2023. Courtesy of the artist and Gallery 1957. Right: Godfried Donkor, St Roy Ankrah III, 2023. Courtesy of the artist and Gallery 195.

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