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Today, Art Basel opens&nbsp;‘<a href="https://www.artbasel.com/ovr">OVR: Miami Beach</a>’ public days. Find out what Art Basel's&nbsp;Instagram followers have been sharing during the VIP preview.&nbsp;To see the full line-up, follow the hashtag&nbsp;<a href="https://www.instagram.com/explore/tags/artbaselovr/" target="_blank">#artbaselOVR</a> on&nbsp;<a href="https://www.instagram.com/artbasel/">Instagram</a> and&nbsp;<a href="https://twitter.com/ArtBasel" target="_blank">Twitter</a>.&nbsp;

Baseera Khan&nbsp;
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	Baseera Khan,&nbsp;By Faith (Front Door), 2020, shown by&nbsp;<a href="https://www.artbasel.com/events/detail/17341/Baseera-Khan-Brian-O-Doherty-Veronika-Pausova-Emily-Mae-Smith-and-Jesse-Wine" target="_blank">Simone Subal Gallery</a> (New York City).

Karla Knight
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</iframe>Karla Knight,&nbsp;Quarantine Spaceships 1-4. 2020. Shown by&nbsp;<a href="https://www.artbasel.com/events/detail/17432/Beverly-Buchanan-Karla-Knight-Paulina-Peavy-Eugene-Von-Bruenchenhein" target="_blank" style="font-weight: bold;">Andrew Edlin Gallery</a> (New York City).

Elena Dorfman

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Elena Dorfman, April 8, 2020 (2:17 pm), 2020. Presented by&nbsp;
<a href="https://www.artbasel.com/events/detail/17443/Examining-Identities-New-Established" target="_blank" style="font-weight: bold;">Fredric Snitzer Gallery</a> (Miami).

Hank Willis Thomas

<iframe id="instagram-embed-0" src="https://www.instagram.com/p/CIV-oyNA13f/embed?utm_source=ig_embedembed/captioned/?cr=1&amp;v=9&amp;wp=1316&amp;rd=juiced.blog#%7B%22ci%22%3A0%2C%22os%22%3A1235.7000000192784%7D" allowtransparency="true" frameborder="0" height="700" data-instgrm-payload-id="instagram-media-payload-0" scrolling="no" style="background: white; max-width: 658px; width: calc(100% - 2px); border-radius: 3px; border: 1px solid rgb(219, 219, 219); box-shadow: none; display: block; margin: 0px 0px 12px; min-width: 326px; padding: 0px;">
</iframe> ‘Anna May Wong was the first Chinese American Hollywood movie star, but she was also marginalized and given limited roles.&nbsp;‘I was so tired of the parts I had to play,’&nbsp;she said in an interview for Film Weekly in 1933, critical of the stereotyping of Asian American artists.&nbsp;‘Why is it that the screen Chinese is always the villain? And so crude a villain&mdash;murderous, treacherous, a snake in the grass! We are not like that. How could we be, with a civilization that is so many times older than the West?’&nbsp;The struggle continues...For <a href="https://www.instagram.com/artbasel/">@artbasel</a> this year, my triptych Frosted Yellow Willows is part of&nbsp;<a href="https://www.artbasel.com/events/detail/17526/OVR-Miami-Beach" target="_blank">Kayne Griffin Corcoran's</a> (Los Angeles)&nbsp;online viewing room <a href="https://www.instagram.com/explore/tags/artbaselovrmb/">#artbaselOVRMB</a> <a href="https://www.instagram.com/explore/tags/annamaywong/">#annamaywong</a>’

Daniel Crews-Chubb

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Daniel Crews-Chubb,&nbsp;Flowers (Midnight Blue), 2020. Presented by&nbsp;<a href="https://www.artbasel.com/events/detail/17525/Global-Visions" target="_blank">Roberts Projects</a> (Los Angeles).

Nathan Mabry
<iframe id="instagram-embed-0" src="https://www.instagram.com/p/CID7gqwldTO/embed?utm_source=ig_embedembed/captioned/?cr=1&amp;v=9&amp;wp=1316&amp;rd=juiced.blog#%7B%22ci%22%3A0%2C%22os%22%3A1235.7000000192784%7D" allowtransparency="true" frameborder="0" height="700" data-instgrm-payload-id="instagram-media-payload-0" scrolling="no" style="background: white; max-width: 658px; width: calc(100% - 2px); border-radius: 3px; border: 1px solid rgb(219, 219, 219); box-shadow: none; display: block; margin: 0px 0px 12px; min-width: 326px; padding: 0px;">
</iframe>Nathan Mabry,&nbsp;Nostalgia of the Infinite (Le Portrait), 2019. Presented by&nbsp;<a href="https://www.artbasel.com/events/detail/17561/Kwame-Brathwaite-Holly-Coulis-Katy-Cowan-Tomory-Dodge-Sedrick-Huckaby-Pamela-Jorden-Kristy-Luck-Nathan-Mabry-Elizabeth-Newman-Joanne-Petit-Fr%C3%A8re" target="_blank">Philip Martin Gallery</a>&nbsp;(Los Angeles).

Joeonna Bellorado-Samuels
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Kerry James Marshall,&nbsp;Untitled (And, so...), 2020. Presented by&nbsp;<a href="https://www.artbasel.com/events/detail/17437/Jack-Shainman-Gallery" target="_blank">Jack Shainman Gallery</a> (New York City).

A Gentil Carioca

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Laura Lima, Bandeira LGBTQI+, 2019. Presented by&nbsp;<a href="https://www.artbasel.com/events/detail/17577/todo-poder-%C3%A0-praia-all-power-to-the-beach" target="_blank">A Gentil Carioca</a> (Rio de Janeiro).&nbsp;

Parker Gallery

<iframe id="instagram-embed-0" src="https://www.instagram.com/p/CIWHQkUl2Xw/embed?utm_source=ig_embedembed/captioned/?cr=1&amp;v=9&amp;wp=1316&amp;rd=juiced.blog#%7B%22ci%22%3A0%2C%22os%22%3A1235.7000000192784%7D" allowtransparency="true" frameborder="0" height="450" data-instgrm-payload-id="instagram-media-payload-0" scrolling="no" style="background: white; max-width: 658px; width: calc(100% - 2px); border-radius: 3px; border: 1px solid rgb(219, 219, 219); box-shadow: none; display: block; margin: 0px 0px 12px; min-width: 326px; padding: 0px;">
</iframe>Gene Beery, Sanctuary, installation of paintings from the 2000s. Presented by&nbsp;<a href="https://www.artbasel.com/events/detail/17448/Gene-Beery" target="_blank">Parker Gallery</a> (Los Angeles), both in their&nbsp;‘OVR: Miami Beach’ viewing room and onsite in Miami.

Esther Schipper


	 

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A walk through of&nbsp;<a href="https://www.artbasel.com/events/detail/17319/OVR-Miami-Beach" target="_blank">Esther Schipper's</a> Berlin gallery space, showing works in her&nbsp;‘OVR: Miami Beach’ viewing room. Shown here:&nbsp;Philippe Parreno, Marquee, 2020.

Find out more about Art Basel's online viewing rooms and&nbsp;scroll through the participating galleries&nbsp;<a href="https://www.artbasel.com/ovr/galleries" target="_blank">here</a>. Public days run&nbsp;until Sunday, December 6, 12 midnight ET.&nbsp;<div>Top image:&nbsp;Laura Lima, Bandeira LGBTQI+, 2019</div>

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