Nadia Hernández

El Segundo Verso
2025

Presented by Station
由Station呈獻

El Segundo Verso
2025
Dimension variable
Mixed media textile panels, metal rods and rope

In El Segundo Verso, Nadia Hernández  creates a monumental, double-sided installation where sound, color, and narrative converge as acts of resilience and preservation. Drawing on her Venezuelan heritage and diasporic experience, Hernández weaves bold textile panels with fragments of protest songs and poetry, crafting a vibrant and layered encounter for audiences. At the core of El Segundo Verso is Hernández’s belief in art as a vessel for preserving cultural memory and navigating the complexities of identity. Influenced by Venezuelan folk traditions and the collective experiences of the diaspora, her work transforms everyday details and shared histories into powerful expressions of connection and survival. Each thread and phrase carry an urgency to remember, resisting the erasure of her homeland’s cultural legacy. The soundscape adds another dimension, echoing voices of struggle and celebration, while the monumental panels immerse viewers in shifting perspectives that bridge the personal and the political. Through this dynamic interplay, Hernández creates a space for audiences to reflect on how memory, migration, and belonging shape our shared humanity. Her work offers not only a celebration of cultural survival, but also a poetic meditation on the enduring power of storytelling as a form of resistance and renewal.

《El Segundo Verso》
2025
尺寸不定
混合媒體紡織板、金屬棒和繩索

在《En todo tiempo》中，Nadia Hernández打造了一件雙面大型裝置，聲音、色彩和敘事在此交織，成為韌性與文化傳承的象徵。Hernández以其委內瑞拉文化傳統和流散的經歷為基礎，將抗議歌曲與詩歌片段編織成大膽的紡織藝術，為觀眾營造出層次豐富且充滿活力的藝術體驗。《En todo tiempo》的核心在於藝術家對藝術作為文化記憶載體的信念，以及對身份複雜性的探索。受委內瑞拉民間傳統和流散的集體經驗影響，Hernández的作品將日常細節和共同歷史轉化為強大的連結與生存的表達。每一根線條、每一句話語都承載著記憶的緊迫感，抵抗著祖國文化遺產的抹殺。聲景裝置為作品增添了新的維度，迴響著抗爭與慶祝的聲音。巨幅展板則讓觀眾沉浸在個人與政治交織的多維視角中。通過這種動態互動，他為觀眾創造了一個空間，思考記憶、遷移和歸屬如何塑造我們共同的人性。她的作品不僅頌揚文化的存續，更是對故事作為抵抗與再生力量的詩意沉思。

Born 1987 in Mérida
Lives and works in Naarm/Melbourne

1987年出生於梅里達
現於Naarm／墨爾本生活和工作