In Drawer, we come across a hill covered in weeds. This is a place no one goes, the surroundings all abandoned buildings, and we become accidental spectators to a performance here: a naked man — also in double, twin-like form — moves around drawers of various sizes, as if to hide himself in the drawers like his counterpart. He seems to wish to make himself an immobile object, with only his head exposed to the outside, cutting off his body from contact with the outside world, building up a final line of defense for his inner self.
